Following the successful holding of the "Let the world fall in love with Yading" Tourism Promotion Conference at Changchun Station, the "Let the world fall in love with Yading" Sharing Session hosted by the Daocheng Yading Scenic Area Administration Bureau of Ganzi Tibetan Autonomous Prefecture was successfully held in Harbin and Shenyang. The event aims to build a platform for communication, sharing and cooperation, helping tourists and travel agents in the northeast region to better understand and appreciate the rich cultural tourism resources of Daocheng Yading in Sichuan Province, attracting more visitors to visit and relax in Daocheng Yading. Travel agency representatives, media and tourists from both places gathered together to enjoy the most beautiful snow mountain and folk culture.
The Daocheng Yading Scenic Area is located in the southern part of Ganzi Prefecture, Sichuan Province. It has the most complete and original alpine natural ecosystem preserved in China at present. Its unique and beautiful alpine ecological landscape and mysterious and profound folk culture are well-known both at home and abroad. As early as 1928, American explorer and botanist Locke led a scientific expedition to Aden twice. He said with emotion that the snow mountain of Yangmaiyong in Daocheng Aden was the most beautiful snow peak he had ever seen in the world. The global bestseller "Lost Horizon" is based on Locke's expedition diary, depicting a "paradise" named Shangri-La. This has opened the door to the "garden preserved by God", and introduced the beautiful "Shangri-La" of Daocheng Yading to the world. The scenic spot is dominated by snow mountains, glaciers, lakes, forests, meadows, streams and sacred mountain culture. It features purity and mystery, with the functions of sightseeing, cultural experience, science education and pilgrimage leisure, attracting people from all over the world.
(Daocheng Yading Scenic Area Administration Bureau of Ganzi Tibetan Autonomous Prefecture is the member of IMTA)
Editor Ⅰ: Zhang Wenwen
Editor Ⅱ: Wu Dan
Editor Ⅲ: Liu Guosong
